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Songwriter Extravaganza In-The-Round, featuring:
Danny Schmidt, Carrie Elkin, Nathan Moore, and Diane Cluck
Thursday, May 17, 2012 Doors at 7:00pm/Show at 8:00pm
$12 Seated Show
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Join us on Thursday, May 17 for a Songwriter Extravaganza In-The-Round, featuring Danny Schmidt, Carrie Elkin, Nathan Moore, and Diane Cluck.
Danny Schmidt: Named to the Chicago Tribune's 50 Most Significant Songwriters in the Last 50 Years, Austin, TX-based singer/songwriter Danny Schmidt has been rapidly ascending from underground cult hero to being widely recognized as an artist of generational significance. With lyrical depth drawing comparisons to Leonard Cohen, Townes Van Zandt, and Dave Carter, Danny is considered a preeminent writer, an artist whose earthy poetry manages to somehow conjure magic from the mundane.
Carrie Elkin: Carrie Elkin is a soulful singer with a gypsy spirit, a songwriter with a keen eye. Inspired by her travels and the many places she has called home-- Ohio, New Mexico, Colorado, Boston, Austin--she documents the human condition with sensitivity and humor, crafting songs that have garnered attention at prestigious songwriting contests, including Mountain Stage NewSong and the Falcon Ridge Emerging Artist Showcase.
Nathan Moore: In 2011 Moore has made a lot of waves with his Hippy Fiasco Rides Again tour. He and his crew (road manager Chad Galactic and merch girl Liz Bunny) hit the road without any gigs booked, but webcasting themselves 24 hours a day. Those watching the webcast hosted shows all over america inviting Nathan to play in their homes, parks or other meeting places.
Diane Cluck: Diane Cluck is an American singer-songwriter playing what she describes as "intuitive folk." Cluck began performing her songs publicly in New York City in 2000 and self-released her first album, Diane Cluck, that same year. In December 2011 she did a fan-funded "Song-of-the-Week" project, in which she wrote and distributed a new song to subscribers every week for six months.
Worn In Red
War Tempest
Sharkopath
Friday May 18, 2012 Doors at 8:00pm/Show at 9:00pm
$6 in advance/$8 day of show Standing Show - Limited Seating Available
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Worn In Red hail from the long-standing promised land of thick, blistering hardcore; Virginia. They share hometowns in both Richmond and Charlottesville, drinking deep from a rich history of since-fallen bands like Sleepytime Trio, Hoover, Four Hundred Years, Maximillian Colby, Action Patrol, and Frodus, while also paying tribute to contemporary titans Planes Mistaken For Stars, Glass and Ashes, and Hot Water Music.
The '90s were rife with talented, passionate, and engaging bands who built upon the legacies of their forebearers while pushing the envelope as far as they could, crafting a myriad of fresh and provoking sounds. One of the epicenters was Virginia, former home of the Confederacy and lately a crucible of pluralism. A land where urban uproots rural and tradition trades blows with progress, forging a cultural battleground strewn with ideological rubble. It was here that the gentlemen of Worn In Red came of age, bearing witness to a generation of bands who now live on only in record store lore, all of whom left a lasting impression on the few who were there when it happened. Worn In Red draw on the elements these bands held most dear; a fiercly independent ethic that celebrates the power and capability we all hold, a desperation and darkness brought on by the constant personal struggle with society, and an unflinchingly honest approach to musical and artistic expression. With ideals intact, they unleash their aggression in a hail of gutted screams, churning rhythms, and triumphantly soaring melodies.
"Considering how nice these guys are, they sure do yell a lot. They feel like family. Their songs gnawed their way into my brain over the last year, and being involved in this record was not an option: it became an imperative. Heavy and pummeling locks in with a melodic, open groove. Duality in tandem. Good hair too." - Var
The Shack Band
The People's Blues of Richmond (PBR Band)
Sunday, May 20, 2012 Doors at 8:00pm/Show at 9:00pm
$5 Standing Show - Limited Seating Available
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Starting out as a quartet during their college years practicing their music in a shack, The Shack Band is now building a reputation for their off the cuff live shows and an original sound - an improvisational blend of funk, blues, and progressive rock.
Back in 2008, when The Shack Band was still getting their feet wet, they were famous for their energetic live shows at colleges throughout Virginia and the Southeast. But with a new group of enthusiastic songwriters among them, the band has moved on to larger venues and opening for some of the nations top touring acts. The Shack Band released their first EP, Born & Raised, this past February.
The People's Blues of Richmond renders their audiences speechless in a pile of Rock and Roll ash. Direct to you from, you guessed it, Richmond, Virginia, this young band is taking blues rock to scorching new heights. Tim Beavers, guitar and lead vocals, is both Page and Plant. Matt Volkes, bass guitar, tears down buildings for a living. And Raphael Katchinoff, on the drum kit and percussion, is th...e fiery skeleton behind the wheel. PBR, as they are referred to in short, are playing shows all across the east coast and picking up new fans in each town they visit. Their sound is a cross between The Doors and Zeppelin or maybe an atomic blast and a crashing tsunami; either way, it's big and it's going to knock you down. Prepare yourself because here comes PBR.
Man Forever
Great Dads
The Plums (from DC)
Tuesday, May 22, 2012 Doors at 8:00pm/Show at 9:00pm
$8 Standing Show - Limited Seating Available
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John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. Man Forever, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience.
Originally based on the idea of creating a sort of punk-infused Metal Machine Music for drums, Man Forever has evolved from a five or six full drum set ensemble to something a lot more stripped down. Based on two drummers playing single stroke rolls on a single drum and the patterns that emerge from that, Pansophical Cataract is propulsive without a pulse. Patterns evolve and burst through the static surface of the material, much of which was produced by electric instruments, though "Ur Eternity" remains mostly drums with only a few bass tracks making an appearance. The sounds created by these instruments were based on the drones that Colpitts hears when he is practicing (the not fully conscious singing or humming that arises when one practices alone), and then augmented and enhanced by the other musicians on the record. The repetitive rolls create a phasing effect, a music in and of itself, and the dynamic shifts that occur when the other instruments enter become not mere notes, but grand events.
A CD Release Party for:
The Steel Wheels
The Honey Dewdrops
Thursday, May 24, 2012 Doors at 7:00pm/Show at 8:00pm
$15 Seated Show
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The Steel Wheels are truly an Americana band, rooted in musical styles that explore the territories between blues and bluegrass, old-time sing-alongs and foot-stompin' fiddle tunes. They are subtle innovators who respect the past but whistle their own tunes, layering in rich textures and decidedly modern energy to forge a new sound.
The Steel Wheels have quickly built a following across the US and Canada that appreciates the honest and deceptively simple sound. They have appeared at Americana festivals such as the Bristol Rhythm & Roots Festival, Kerrville Folk Festival, Floydfest, Albino Skunk Music Festival, Smoky Hill River Festival, Atlanta Dogwood, Folk Alliance, Appalachian Uprising and many more. In addition they have headlined at venues such as NPR's Mountain Stage, Eddie's Attic, The Ark, Bluebird Cafe, Uncle Calvin's Coffeehouse, Club Passim, and Calgary Folk Club among others. Wagler and Lapp also have taken a duo show to Ireland and have appeared with Peter Rowan at the 'Ards International Guitar Festival.
Trees on Fire
Birdlips
Friday, May 25, 2012 Doors at 8:00pm/Show at 9:00pm
$10 in advance/$12 day of show Standing Show - Limited Seating Available
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Trees on Fire first sprouted its roots in 2005 amidst the hills and woodlands of Charlottesville, Virginia. The quintet, lauded by many as "hybrid-rock geniuses," has been scorching the music scene since its inception. Daily rehearsals, frequent live performances, and a strong sense of teamwork cultivate the band's undeniable chemistry. The mix of two former opera singers turned prolific songwriters, two symphonic virtuosos turned rock 'n' rollers, and one irrefutably tasteful percussionist creates a dynamic blend of sounds.
Known for its ear-catching fusion of rock, hip hop, reggae, electronica, classical, klezmer, funk, and beyond, Buzz News Reporter Ken Payne hails Trees on Fire's "razor-sharp four-part harmonies and organic world rhythms...original, innovative grooves [with] inspirational messages."
"Birdlips is an enigmatic duo from Virginia - though they call the road their home these days - who sound like a lot more than just two people on their three slim EPs. The most recent, Emanations, released in July, was recorded in an apartment in Los Angeles and has a definite L.A. vibe. It channels the churning-organ menace of the Doors, the celestial country harmonies of the Byrds, and the psych-pop leanings of the Strawberry Alarm Clock. It's a beautiful, haunting sound, familiar yet alien, charming but forbidding, and just the thing to warm up a cold December weekend."
- METRO PULSE (Knoxville, TN)
Sara Watkins (from Nickel Creek)
Jesse Harper (from Old School Freight Train, Love Canon)
Wednesday, May 30, 2012 Doors at 7:00pm/Show at 8:00pm
$15 Seated Show
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Sun Midnight Sun, the second solo album from acclaimed singer, songwriter, and fiddle player Sara Watkins, will be released May 8 on Nonesuch Records. Produced by guitarist, singer, and songwriter Blake Mills, co-founder of the band Simon Dawes, the album features special guest appearances by Fiona Apple, Jackson Browne, Taylor Goldsmith (Dawes), Benmont Tench, and Sean Watkins. Sun Midnight Sun follows Sara Watkins' critically acclaimed 2009 self-titled solo debut produced by John Paul Jones. NPR said Sara Watkins "puts her great instrumental breadth on display as she plays the guitar, ukulele and fiddle in addition to her sweet-voiced singing."
Sun Midnight Sun was recorded, mixed, and mastered by Shawn Everett at Zeitgeist Studio, Los Angeles, and includes songs written by Watkins ("You and Me," "Take Up Your Spade") as well as several collaborations with Mills ("The Foothills," "Be There," "The Accord," "Impossible," and "Lock and Key"). It also features songs by Dan Wilson ("When It Pleases You") and Willie Nelson ("I'm a Memory"), and a rendition of The Everly Brothers classic "You're the One I Love," on which Fiona Apple duets with Watkins. A limited-edition 7" of "You're the One I Love" will be made available Saturday, April 21, as part of the fifth-annual Record Store Day.
Dopapod
Hype Science
Thursday, May 31, 2012 Doors at 8:00pm/Show at 9:00pm
$8 Standing Show - Limited Seating Available
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Dopapod exists at the crossroads of full throttle intensity, deep pocket groove, intricate technicality, and limitless experimentation. With no regard towards limiting themselves to stylistic boundaries, the sound that emerges from the quartet both live and in the studio is as varied and diverse as the many influences that they adapt from. Their approach and commitment to complementing a distinct genre bending sound to top-notch musicianship has set them apart from many of their contemporaries and keeps music lovers eagerly returning to shows.
In the past two years, Dopapod has firmly planted seeds in music fan's ears all up and down the East Coast and into the Midwest with their incessant touring schedule. Covering all this ground has seen the young, yet seasoned group make appearances at numerous festivals including Camp Bisco, Mountain Jam, Bonnaroo, Burning Man, Bear Creek, The Big Up, Rootwire, Strangecreek, and more. Their electric live showcase has been cultivating a fast growing, loyal fan base, and seen them share bills with artists such as Lotus, EOTO, Papadosio, Zach Deputy, Brothers Past, Yo Mama's Big Fat Booty Band, Spam Allstars, Sam Kininger (Lettuce, Soulive), and Carl Palmer (Emerson, Lake, & Palmer).
Hype Science, an experimental electronica outfit hailing from Charlottesville, VA, is the brainchild of Ross van Brocklin and Sam Cushman of the Kings of Belmont, and percussionist, Will Faulconer. Initially envisioned as the ultimate fusion of live percussion, electronic sounds, sampling, and improvisation, the music of Hype Science draws on a multitude of musical influences and styles. The end result is a danceable, forward-thinking, and unique concoction that both challenges and inspires modern listeners.
River City Extension
The Drowning Men
Ben Henderson
Friday June 1, 2012 Doors at 7:30pm/Show at 8:00pm
$10 in advance/$12 day of show Standing Show - Limited Seating Available
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Something happens when these eight people come together. Put them on a stage, and something larger than even this relatively large band blossoms, ecstatic and cathartic and inspiring. And like the songs on River City Extension's second album, Don't Let the Sun Go Down On Your Anger, it may not hit you over the head from the first moment; rather, it's a journey. It sneaks up on you as these songs breathe and grow and change -- as apt a microcosm of life as any you'll find in music.
"Half of this record is love songs, and the other half is 'I'm sorry that I fucked up' songs," says singer/songwriter/guitarist Joe Michelini. Such compellingly forthright new tunes as "If You Need Me Back In Brooklyn," "Slander," "Down, Down, Down" and "Point of Surrender" confront thorny issues of personal and spiritual struggle in a manner that's both intimate and illuminating, while the band drives home Michelini's hard-won lyrical insights with evocative arrangements that make inventive use of a wide range of instruments and sonic textures.
Both musically and thematically, the 14-song set marks a startling leap forward from the rousing indie-folk-rock of River City Extension's 2010 debut album The Unmistakable Man. That disc helped the New Jersey ensemble to win reams of critical acclaim while substantially growing its audience. Those fans have enthusiastically embraced the band's joyous, uplifting live shows and the brooding, personally-charged songwriting of founder/frontman Michelini, as well as the group's expansive yet intimate sound, which utilizes such instruments as cello, trumpet, mandolin and banjo to bring Michelini's vision to vibrant, dynamic life.
County Wide Music and WNRN 91.9FM Present at The Southern:
A CD Release Party for:
Mister Baby
Pantherburn
Beako
Saturday, June 2, 2012 Doors at 8:00pm/Show at 8:30pm
$10 Special Deal for Advance Sales Only: $15 Ticket/CD Combo (CDs available for pickup at the show) Standing Show - Limited Seating Available
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1846 was a relatively quiet year for the great commonwealth of Virginia. Antebellum was in full swing and the tobacco crop was especially burly. King Cotton called for his pipe and fiddlers, three.
As things drifted along just like the lazy Rivanna, the winds brought word of a renegade gypsy child born in the blue hills. Raised by a pack of wild pugs, with a shock of hair - red - like the fires of hell.
Little did the natives know that the Great Huddleston Prophecy had been fulfilled.
Unto the Old Dominion was born a savior (well, singer/songwriter) with a nearly embarrassingly naked, honest voice and an electric guitar strung with her own guts. In the words of Hank Jr. she "could make folks feel what she felt inside." Which was seldom pleasant or friendly and could, therefore, strike or slice a nerve in whoever dared to listen.
Megan Huddleston has since grown into a thirty-something dynamo, her red hair now long and flowing, shining with a light that comes from within, her tattoos straight out of a stevedore's scrapbook. Mister Baby is her band.
County Wide Music is a newly formed Charlottesville based music label created to nurture and support the amazing talent in and around the Charlottesville area. The current roster includes Pantherburn, Chamomile and Whiskey, and Mister Baby.
County Wide Music
WNRN is a public radio station in central Virginia that is supported by donations from listeners and by business underwriting. There are no commercials. We invite you to explore our site, to listen to our live broadcast, to participate in the listener survey, and to send us any comments or questions you have about our program or web site.
WNRN 91.9FM
Joe Pug
David Wax Museum
Sunday June 3, 2012 Doors at 7:00pm/Show at 8:00pm
$10 in advance/$12 day of show Seated Show
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It's been 4 years since Joe Pug quit his day job as a carpenter, but his remarkable rise in the music world has been driven by the same hard-worn work ethic. His path has been an unusual one, which has often challenged the traditional rulebook of the music industry, but even now as he prepares to release his second album "The Great Despiser", it has always been characterized by one prevailing idea: Find a way.
After dropping out of college the day before he was to start his senior year, he moved to Chicago and picked up the guitar he hadn't played since his teenage years. The songs that he wrote would eventually become the "Nation of Heat EP," a self-released gem that has gone on to sell over 20,000 copies. It was in those heady early days that the idea was born for a unique promotional strategy that would launch Pug into the national consciousness. In an increasingly fragmented and disorganized music industry, it was harder and harder for a new artist to break through the white noise. With no publicist and no access to radio, Pug decided to recruit his fans to help spread the word. He took his most popular songs, printed up CDs, and offered to send them free of charge to anyone who wanted to share his music with their friends. And share they did. "People requested 2 copies, 5 copies, 10 copies, 20 copies. We'd send them all. We even covered the postage," he remembers. The impact was immediate and undeniable. "Suddenly we'd be rolling into towns that we'd never been before and there would be crowds there who knew the songs. Our fans essentially became like a radio station for us, and they still are. " While skyrocketing demand eventually forced a switch over to a digital version, the offer remains to this day at joepugmusic.com, and has been downloaded over 30,000 times.
Why do we need museums? They show us something familiar and traditional, while at the same time documenting our innovation, showing us possible directions for the future. This is the same reason we need David Wax Museum Ð to give us music that is somehow familiar, as if it has always existed somewhere in our cultural ether, but is at the same time undeniably fresh.
The Museum is closely associated with many of the most innovative Americana bands active today, having toured nationally with The Avett Brothers and the Old 97's and having shared bills with such acts as Carolina Chocolate Drops, Langhorne Slim, Ben Kweller, The Low Anthem, and Nathaniel Rateliff. Though the band is now packing clubs and theatres across the country and touring with national acts, David Wax Museum cut their teeth playing in living rooms and backyards throughout the country. In these unique settings, the band's fiery and heart-wrenching shows created an undeniable buzz and a devoted following.
Erick Baker
Jill Andrews
Tuesday, June 5, 2012 Doors at 7:00pm/Show at 8:00pm
$10 Standing Show - Limited Seating Available
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If you listen closely, you can hear a heartbeat in the songs of Erick Baker. A warm familiar pulse of love and loss echoing from somewhere just under the surface. Written with unguarded lyrical honesty, Erick's songs are passionate confessions that reflect many of our own deeply rooted emotions and secrets.
Since releasing his debut EP, It's Getting Too Late To Say It's Early, in 2008, Erick's powerful voice and deeply personal songwriting style have led listeners through music rich with themes central to the emotional cornerstones of their lives. And recently, the message of Erick's music has quickly started to spread.
This medley of heartfelt insight, accentuated by strong melodic hooks and emotive vocals, drives Erick's second full-length album, Goodbye June. Produced by Ken Coomer, (Wilco, Uncle Tupelo), Goodbye June skillfully blends a divergent set of influences - rock, pop, soul, blues, country, and folk - into one seamless, signature sound that defines Erick's distinctive voice.
"These songs belong to the lonely nights of my past and the many blessings of my present," he says. "They reflect the pieces of poetry that lie in the little details of everyday life." As a result, the authenticity of Erick's music is universally appealing. Uniting fans across lines of age, lifestyle and musical taste, Erick's music, once heard, simply can't be ignored.
It starts with the voice. Before you notice the words, before you detect the gently curling melodies tugging them along, this is what hits you first: It's warm and rich and touched with a soft Southern twang, as likely to swing down into its earthy lower register as arch upwards into a hopeful trill; it's steady and sure but flecked with a certain weary sadness that stops you dead, draws you near.... It's beautiful. It knows something.
This voice is Jill Andrews, who's been singing her whole life: as a little girl, as a camp counselor plucking out three chords on an acoustic guitar under swaying pine trees, as one-half of The Everybodyfields - and, since 2009, as an increasingly formidable singer/songwriter making her way on her own.
Borrowed Beams of Light
Naked Gods
Lonnie Walker
Thursday, June 7, 2012 Doors at 8:00pm/Show at 8:30pm
$3 Standing Show - Limited Seating Available
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Borrowed Beams of Light hail from Charlottesville, VA. Helmed by Adam Brock, who also drums for C-ville rock brigade Invisible Hand, the Beams create psychedelic, power pop in the vein of The Kinks, Fleetwood Mac, or the New Pornographers. With shimmering hooks and playful lyrics amidst a sunny 60's ambiance, Borrowed Beams of Light turns a first listen into a nostalgic experience.
Naked Gods, formed during the third millennium, are a five piece rock and roll band hailing from Boone, an otherwise sleepy town in western North Carolina's mountains. Don't let that geography mislead you; as a unit the band combines the influences of big, noisy guitar indie rock, abstract bass warbling, frenzied drum bursts & vocals capturing the sensitivity & sentimentality of youth lost & found, delivered with swagger by one of the burliest guys you've ever seen.
Originally a one-man band, Lonnie Walker evolved from the solo spirit of Brian Corum into a collection of friends bound by their shared passion for music and visual art. After years of honing their sound while playing house shows and DIY spaces in Greenville, NC, Lonnie Walker garnered local support from classmates and peers immediately. The additions of Eric Hill, Justin Flythe, Raymond Finn, and Josh Bridgers birthed a sound much more unconventional. Now signed to Raleigh's Terpsikhore Records, their blend of rootsy americana and dance-party punk has only just started to find traction outside of their home state.
Graffiti6
Yuna
Saturday, June 9, 2012 Doors at 8:00pm/Show at 9:00pm
$10 in advance/$12 day of show Limited Seating Available
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Colours, the debut album from Britain's Graffiti6, is as vividly vibrant as both the project's moniker and its album title suggest: an uncategorizable melange of pop, psychedelia, R&B, and British Northern Soul that fully capitalizes on the soaring uplift of Jamie Scott's emotionally transparent voice and gift for melody and TommyD's irresistible rhythms and inventive production. Songs like "Stone In My Heart," "Stare Into The Sun," "Annie You Save Me," and "Free" are "latter-day psych-soul nuggets, all phased vocals and sunshine melodies given the warp factor," as London's Guardian newspaper put it, while the remainder of Colours zigzags all over the musical map from the folk-soul balladry of "Goodbye Geoffrey Drake," to the spare, gospel-inflected feel of "Over You," to the downtempo sultriness of "Calm The Storm," to the jangly indie-rock vibe of "Lay Me Down." "For me, the unexpectedness of the sound is the whole point," Scott says. "It's fun to mess with people's heads."
Oberhofer
Monday, June 11, 2012 Doors at 8:00pm/Show at 9:00pm
$10 Standing Show - Limited Seating Available
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Emotion is what drives the psychedelic catchy pop rock tunes crafted by the oft-effervescent Brad Oberhofer and expressed in his band, Oberhofer.
Drawing on influences ranging from Brian Wilson to Descartes, the 21 year old is fixated on the idea of making philosophically minded, energetic melodies that just make people smile.
"Music is this thing I just inherently do and psychologically, I have a desire to make as many people happy as possible. Music helps you think about stuff, it helps you feel, you know?"
With an unforgettable way of speaking directly from the heart, Brad Oberhofer's songs have a pulse that form the very core of what makes Oberhofer, Oberhofer. To put it quite simply, a great rock & roll band.
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Theresa Andersson
Tuesday, June 12, 2012 Doors at 8:00pm/Show at 9:00pm
$10 in advance/$12 day of show Standing Show - Limited Seating Available
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The parades of New Orleans' Mardi Gras season are immersive experiences, even for spectators. The eyes are dazzled by a riot of colors, masks and costumes and streamers in bright green and gold. Marching bands fill the air with thundering drums, joyous brass, and playful woodwinds. Undulating revelers dance through the streets. For a few moments, the senses reel...
And then what? Will there be another parade? When? How soon?
These were questions Theresa Andersson found herself asking amidst the stillness that followed in the wake of one such parade in 2010. She had just returned home to New Orleans, after countless months of touring in support of her 2008 album, Hummingbird, Go!. Now, standing in the empty street, after being unexpectedly lifted aloft by this passing celebration, then set back down just as suddenly, life felt particularly poignant - and full of possibilities.
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The Get Down Boys
Saturday, June 16, 2012 Doors at 8:00pm/Show at 9:00pm
$7 Standing Show - Limited Seating Available
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The Get Down Boys are a Los Angeles based string band performing high energy traditional and original Bluegrass music, along with modern favorites infused with the sounds of Americana. Known for their highly crafted songs, floor-shaking rhythms, and unmistakable harmonies, The GDBs bring an irresistible and infectious passion to their spin on American roots music.
In just a few years they have mastered an organic, contemporary sound and cohesive high energy act, but most important to this group is their support for the new movements in bluegrass music. "The GDB's are blazing a new path with their spit-fire vocals, upbeat high-tempo picking, and a classic mix of instrumentation that sounds twangy and fresh" (The Groove Thief). The GDBs love to have a good time with their fans, music lovers, and each other, and are on a mission to grow the American bluegrass scene. "With a healthy repertoire of traditional and original material" (OFOAM) their infectious energy and passion for their craft gets an audience of any musical taste having "grand ole time" (The Examiner) and excited about the roots of American music.
In addition to their regular So Cal residencies, The Boys have opened for Nickel Creek and Punch Brothers at Ed Helms' 2nd Annual Bluegrass Situation, played along side John C. Reilly at the 3rd Annual Bluegrass Situation, made an appearance on FOX11's Good Day LA, as well as a performance at the Grammy's 10th Annual Producer's & Engineer's Wing Party, honoring T Bone Burnett.
They've also established a presence on the major west coast festival circuit with appearances at Parkfield Bluegrass Festival, Topanga Banjo & Fiddle Contest, Father's Day Grass Valley Bluegrass Festival, Beerfest & Bluegrass at Northstar Tahoe, Park City Arts Festival, & King's River Bluegrass Festival.
Ben Sollee
Tuesday, June 19, 2012 Doors at 7:00pm/Show at 8:00pm
$12 in advance/$15 day of show Limited Seating Available
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Ben Sollee is like no other cellist/singer-songwriter you have ever heard! His style is a mix of the Appalachian music he heard while growing up in Kentucky to the R&B style that fits his soulful voice and thoughtful lyrics. At the heart of Ben's drive is the desire to bring communities together with music and he likes the idea of doing good things with good people. These ideas have been well received by other musicians, as his collaborations have shown. Ben has shared the stage and/or recording studios with the likes of My Morning Jacket and Bela Fleck.
Ben has also embraced the idea of slowing down to appreciate the communities around him, so he embarked on the "Ditch The Van" tour, where he and his crew ride their bikes (and tow their equipment) from venue to venue to take in the sites, sounds and people around them.
Lost in the Trees
Daytona
Tuesday, June 26, 2012 Doors at 8:00pm/Show at 9:00pm
$10 in advance/$12 day of show Standing Show - Limited Seating Available
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Dense clusters of piano, a mysterious sound that might be something being unwrapped, or paper crushed for kindling, and A Church That Fits Our Needs, the second album by North Carolina group Lost In The Trees, is underway, announcing itself as a work of vaulting ambition, a cathedral built on loss and transformation. In the summer of 2009 Ari Picker - writer, composer, and architect of the band - lost his mother, an artist in her own right, when she took her own life. Picker was in the midst of releasing his band's debut album, All Alone in an Empty House, a collection of folk-inflected songs that surprised with its orchestral arrangements, to an acclaim usually reserved for seasoned veterans: "both heart wrenching and beautiful," said Paste, while the Huffington Post called the album "spellbinding in its musical ambition, touching in its intimacy, and often overwhelming in its emotional honesty." Picker took the loss of his mother and set about transforming the events into a tribute, composing, writing lyrics, his mother's picture above his writing desk: the same picture that now graces the album's cover. "I wanted to give her a space, in the music, to be, and to become all the things she didn't get a chance to be when she was alive."
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These United States
Friday, July 6, 2012 Doors at 8:00pm/Show at 9:00pm
$10 Standing Show - Limited Seating Available
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These United States surrender themselves to unbridled rock and roll exuberance: ringing guitars, thundering drums, desperate yearning bordering on hope. By turns larger-than-life and disarmingly intimate, this is folk in the truest sense - a record of the moment, of the cultural and emotional forces that animate everyday existence somewhere down below the headlines. (But never apart from them.) And These United States play it the way folk was meant to be played: hard, fast, big, slow, long, loud, loose, at last unburdened. They play like they mean it. Like there's never been a better time to be alive.
Over the last five years These United States has played 800 shows, released four albums and gained the support of NPR's All Things Considered, World Cafe, and Mountain Stage, Spin, Paste, Filter, NY Times, Village Voice, Brooklyn Vegan, JamBase, The Onion, Daytrotter, My Old Kentucky Blog, KEXP, KCRW, WXPN, and WFUV. Festival highlights include: Lollapalooza, High Sierra, Pickathon, Glastonbury, Mt. Jam, XPoNential, Joshua Tree, Celebrate Brooklyn, and Forecastle.
Shawn Mullins
Holly Allen
Sunday, July 8, 2012 Doors at 7:00pm
$15 in advance/$17 day of show Seated Show
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Shawn Mullins writes the songs that you might have heard in your friend's car.
He is supported by Vanguard Records, a record label that has based it's foundation on the roots of true Americana music. Shawn recently finished writing and recording a new record for Vanguard entitled "LIght You Up" that will be available on October 12, 2010.
Shawn's musical accomplishments include a dozen self-produced records, three number one charting songs ("Lullaby", "Beautiful Wreck" and Zac Brown's "Toes"), a Grammy nomination and thousands of live performances. One of his favorite accomplishments was the decision of the Australian Olympic Team to use his song Shimmer as their anthem.
Shawn holds a degree in music education from North Georgia College in Dahlonega, GA where he commissioned and served in the U.S. Army.
He is active observer of life and translates life into song.
Shawn currently resides in Inman Park outside of Atlanta, GA with his wife Kelly, his son Murphy and Jack...the dog
With a voice as real and as honest as they come, Holly Renee Allen delivers Americana soul. Her songs are rich, vibrant, and lyrically intelligent. "Southernese" sets the tone for her new album, Red Dirt Soul, a melodic collection of the love, heartache, sex, and longing - bold as a ruby camellia blooming in the Georgia red clay. There is alitlle something on here for everyone.
Holly is a Virginia native and grew up at the foot of the Blue Ridge in the Shenandoah Valley. She was born and bred from generations of country and bluegrass and raised on The Beatles, Janis Joplin, The Rolling Stones, Bonnie Raitt, Bob Dylan, and other such classic artists.
Atlanta's Martin Kearns says, "Holly Allen is one of the most enchanting artists I've worked with. She manages to combine a sincere innocence with the maturity of a full grown woman. It is not possible to hear her and remain untouched by her spirit."
Chatham County Line
Friday, September 7, 2012 Doors at 7:00pm/Show at 8:00pm
$12 Seated Show
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Ten years in, the four gentlemen of
Chatham County Line have a lot to reflect on: sold
out shows in the US and abroad, appearances on
national radio & TV, four solid selling records, and
four really dirty suits.
"We want to be the band that puts on the most professional show in the business of what we do," says
singer/guitarist/songwriter Dave Wilson. "If you've taken your time to be there for us, we are going to prove we are
there for you." It's that sincerity of showmanship and professionalism that has led to countless miles on the road
for CCL. "We've worn out two vans by now and I've actually worn out a few ties as well," says John Teer. "You ever
hear of someone wearing out a tie?" Teer plays mandolin and fiddle and sings high tenor for the band. It is this
commitment that has fans driving hundreds of miles to see Chatham County Line at work on the road. "We've had
fans travel from another country to catch a show," reflects banjoist Chandler Holt, continuing, "That's when you
know you're doing something right." Releasing IV to critical acclaim in 2008, CCL was invited to be on Later. . . with
Jools Holland on BBC 2 in the UK, alongside such acts as The Raconteurs, Nick Cave, and Bon Iver. "Now that was a
party," muses standup bassist Greg Readling. "When you've got those guys coming up and introducing themselves to
you, all the miles just melt away."
Tim O'Brien
Saturday, November 3, 2012 Doors at 7:00pm/Show at 8:00pm
$25 Seated Show
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In Tim O'Brien's music, things come together. The uncanny intersection of traditional and
contemporary elements in his songwriting, his tireless dedication to a vast and still-expanding array of instruments, and his ongoing commitment to place himself in as
many unique and challenging musical scenarios as possible has made him a key figure in
today's thriving roots music scene - and well beyond it. O'Brien's presence - be it as a
bandleader, songwriter, mentor, instrumentalist, or vocalist - has been strongly felt not
only in his own rich music, but in the many recordings of his songs by such artists as the
Dixie Chicks, Garth Brooks, Dierks Bentley, Nickel Creek, Kathy Mattea, the New Grass
Revival, and the Seldom Scene, and in his recorded collaborations with Steve Martin, the
Chieftains, and innumerable others. Most recently, O'Brien has been performing before
capacity crowds in the band of Mark Knopfler, who described O'Brien as "a master of
American folk music, Irish music, Scottish music - it doesn't matter; a fine songwriter
and one of my favorite singers."
O'Brien listens to bluegrass and hears the music's roots in modal Irish ballads and
vintage swing. He insightfully re-examines and reconstructs those styles, and many
others, in his own music, throwing off new sparks by reawakening the tension and
interplay of the colliding components at the heart of American music. "Over the years,"
he explains, "my music has become a certain thing. Each time I go into the studio to
make a new album, I could make an Irish record, or a bluegrass record, or a country
record...but it seems artificial to sift anything out. I feel like I'd be leaving out something
important. In the end, I just try to make it round..."
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Just Announced:
Saturday, November 3, 2012
Tim O'Brien
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Friday, September 7, 2012
Chatham County Line
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Sunday, July 8, 2012
Shawn Mullins Holly Allen
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Friday, July 6, 2012
These United States
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Tuesday, June 26, 2012
Lost in the Trees Daytona
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Tuesday, June 19, 2012
Ben Sollee
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Saturday, June 16, 2012
The Get Down Boys
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Tuesday, June 12, 2012
Theresa Andersson
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Monday, June 11, 2012
Oberhofer
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Saturday, June 9, 2012
Graffiti6 Yuna
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Tuesday, June 5, 2012
Erick Baker Jill Andrews
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Sunday, June 3, 2012
Joe Pug David Wax Museum
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Saturday, June 2, 2012
County Wide Music and WNRN 91.9FM Present at The Southern:
A CD Release Party for:
Mister Baby Pantherburn Beako
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Friday, June 1, 2012
River City Extension The Drowning Men Ben Henderson
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Thursday, May 31, 2012
Dopapod Hype Science
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Wednesday, May 30, 2012
Sara Watkins (from Nickel Creek) Jesse Harper
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Friday, May 25, 2012
Trees On Fire
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Thursday, May 24, 2012
A CD Release Party for:
Steel Wheels with The Honey Dewdrops
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Tuesday, May 22, 2012
Man Forever Great Dads The Plums (from DC)
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Sunday, May 20, 2012
The Shack Band The People's Blues of Richmond (PBR Band)
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Friday, May 18, 2012
Worn In Red War Tempest Sharkopath
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Thursday, May 17, 2012
Songwriter Extravaganza In-The-Round featuring:
Danny Schmidt Carrie Elkin Nathan Moore Diane Cluck
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